Erwin Bowien—Nostalgia for Egmond exhibition at Egmond Museum from April 26–November 2, 2025.

IMMA, the Irish Musuem of Modern Art, presents a solo exhibition by pioneering abstract artist Sam Gilliam (1933–2022) one of the great innovators in post-war American painting.

Sometimes, there is a fever to perception—a heat that builds when an image lingers too long, when a sound worms its way beneath language.

Alasdair Gray credited his fledgling love of painting to Saturday morning art classes at Kelvingrove Art Gallery and Museum, which he attended between the ages of 11 and 17 in the years after World War II.

In Helene Appel’s hyperreal paintings, unremarkable materials from day-to-day life are the subject of careful attention: a splash of sudsy water is captured in painstaking detail; slivers of yellow pasta look as if they could be snapped between fingers.

PF25 cultural projects is delighted to present To Sleep and Wake Unafraid, Oscar Chan Yik Long’s first solo exhibition in Switzerland and the opening chapter of his two-part solo series unfolding in 2025.

Themed on “Chasing the Light”, 2025 CAFA Graduation Season kicked off at CAFA Art Museum in early summer.

Within the vast landscape of contemporary art, Leo Vroegindeweij‘s figure asserts itself through a consistent artistic inquiry that, while evolving, relentlessly probes the limits of perception and the nature of space.

For the month of June, I am delighted to highlight the educator and artist Kristen Pless.

Smithsonian Institution asserts independence from the Trump administration, London’s Royal Academy of Arts names new head, Frieze doubles down on South Korea with Seoul gallery—here's Ocula’s briefing on the art world developments and news you might have missed.

Walking through Hasselt’s manicured urban landscape is a reminder to what degree modeling determines every aspect of our contemporary lives.

Maiolica ceramic wares are exquisitely decorated and vibrantly colored handmade artworks made popular during the Italian Renaissance.

A simple question – how does a machine imagine the world? – becomes the starting point for a journey that is both poetic and provocative.

Exhibition has themes of disappearance, distortion and reclamation.

Swedish artist Niklas Asker (previously featured here) returns to the foundations of his practice with a series of paintings grounded in the art historical and spiritual references that have continuously informed his work.