Fondazione Memmo is presenting Soft You, the first institutional exhibition in Rome by Anthea Hamilton (London, 1978).

In the heart of the financial district, over 70 artists from across the African diaspora showed works to an eager VIP audience.

From lesser-known Meret Oppenheim works to Anna Weyant’s jewel-box paintings, this over-the-top New York fair is rich with gems waiting to be discovered.

How Steveni went about relocating the artist from the seclusion of the gallery into the social world.

Walk with me, backwards through time. See Jack Whitten painstakingly remove over two thousand tiles of hardened acrylic paint from his canvas.

This comprehensive show celebrating last year’s 250th anniversary of the Romantic painter’s birth brings together an extraordinary collection of his works.

Spring fair season is here, and our annual tradition is to try to see as much art as possible in one day.

TEFAF brings an air of prestige to three fairs it operates—one in the Dutch city of Maastricht, two in New York—and so it has accrued a special following with established collectors and high-ranking curators.

More so than Frieze or any of the other comparable fairs open concurrently in New York, 1-54 Contemporary African Art Fair unfolds like a succession of introductions.

A new group exhibition at Anonymous Gallery in New York explores the underlying conflicts of the home as a place of both tranquility and turmoil.

Casting an otherworldly gaze upon things we overlook every day, Isabel MacCarthy’s new London exhibition contemplates what it means to exist in a fragile human body.

Brisbane artist Julie Fragar has won the Archibald Prize 2025 and $100,000 for her portrait of fellow Brisbane artist and colleague Justene Williams.

When exiting the Noah Davis retrospective, a video recording of the artist plays: “I would rather fail at being an artist than be successful at anything else.”

The discovery of Swedish artist Hilma af Klint  (1862–1944) took the art world by storm with the blockbuster exhibition “Paintings for the Future,” featuring her 1906 canvases, at the Solomon R. Guggenheim Museum in 2019.

To celebrate its 200th anniversary, London’s National Gallery has recently revamped its Sainsbury Wing, a transformation that has taken three years and $113 million.