A new group show and study programme at Berlin’s Spore Initiative reconnects the Palestinian story to the land: how it is experienced, remembered, worked, violated.
In Joana Choumali’s tranquil, luminous mixed-media canvas The Day Dreamer (2025), the scene is alight with the amber jewels of streetlights of Abidjan’s early-morning landscape.
Raymond Saunders, known for his mixed-media assemblage paintings that layer fragments of printed matters with expressionistic brush marks, has died aged 90.
To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reaching out: within its collection to rarely exhibited objects; to villagers past.
Under the title “edging—bodies without orgasms”, Michał Leszuk curates a group exhibition at Kunstraum Lakeside that expands the annual theme Glitch with artistic positions that open the world to a queer language and bring the hegemonic dominance of majority society to the edge.
Greene Naftali is pleased to announce Raque Ford’s second solo show at the gallery, which reveals new facets of what one critic calls her “plexiglass poetry.”
Edward Hopper was one of America’s most celebrated artists, renowned for delving into themes of loneliness and isolation in both urban and rural American settings.
This autumn, Tate Britain will present the first major exhibition to explore the intertwined lives and legacies of Britain’s most revered landscape artists: JMW Turner (1775–1851) and John Constable (1776–1837).