Motherhood and creativity is the subject of a landmark exhibition in Dundee, while Portia Zvavahera presents her dreamscapes at Fruitmarket and Jupiter Artland reopens for 2025

Mezza—Maiso excels at building bridges between disciplines.

Rising Korean artist's inaugural preformance at MMCA depicts desire and the debris it leaves behind

While many things about museums have changed over the years, and many more are changing now, the growth of their permanent collections has remained a constant.

Sanam Khatibi is a self-taught painter. She could also have considered pursuing falconry, a path to which she once thought of devoting herself.

In Ed Atkins’ world, bodies are restless, weightless and deeply confused. They float, moan, glitch, laugh and sometimes fall apart entirely, moving through the world as if constantly reminded of their own existence.

BASED ON DEMOGRAPHIC ANALYSES of the last United States presidential election, Norma McCorvey would probably have voted for Donald Trump were she alive today.

Boom Boom Bang at K.L. Ilham Gallery, Kuala Lumpur celebrates a time in which an extremely fertile urban counterculture movement was born.

On any given day, there are hundreds of different exhibitions on view at the Smithsonian's many museums. But a recent White House executive order singled out one.

Santiago Sierra’s output since the 1990s has included a steady stream of photographs featuring human figures seen from behind, remaining faceless.

“Défaillance désir” (Defect Desire) was Aurélien Potier’s first institutional solo exhibition.

Malcolm de Chazal (1902–1981) might be better known as a writer than as an artist—and, as a writer, he was the kind who excited his peers with ecstasies while somehow never reaching a wider public.

Billed as Joan Snyder’s introduction to a non-US audience, “Body and Soul” comprised thirty-three paintings spanning sixty years and was accompanied by a hefty catalogue.

The first retrospective exhibition of Carlito Carvalhosa, who passed away in 2021 at the age of fifty-nine, presented four decades of thought-provoking, experimental work encompassing paintings, sculptures, and installations.

Evoking themes of femininity, self-representation, transformation, and myth, “Deux Femmes” is a small but engaging show of prints, drawings, and paintings by Leonora Carrington (1917–2011).