Gwon Osang: The Sculptural Report is now on view at the Arario Museum in Jeju through September 21.

Her gorgeous, tactile sculptures are not just symbolic of human lives, but reflections of embodiment in all of its fragility and resilience.

The decision concludes a year-long battle led by photographer Rodney Woodland, who accused the rapper of copyright infringement.

The late curator Koyo Kouoh envisioned an exhibition that would “shift to a slower gear and tune in to the frequencies of the minor keys.”

Phyllis Birkby harnessed her knowledge and lesbian feminist politics to encourage countless people to reimagine their built environments.

Repurposed objects by Kiah Celeste and Yuji Agematsu and re-imagined architecture by feminist architect Phyllis Birkby are among our favorite artworks this week.

As a Noah’s ark of his non-binary stuffed toys goes on show at Jupiter Artland, the artist talks about growing up gay in the 1980s, being working-class in the elite art world, and why experiencing art in person, in galleries and museums, is more important than ever.

This exhibition marks the beginning of a two-part exhibition series that explores the implications for exhibition making and experience and their supposed boundaries.

The multidisciplinary arts center at The Ohio State University has partnered with Holt/Smithson Foundation for the most extensive inquiry to date into the artist’s focus on the systems that connect and power societies.

The exhibition focuses on Piero Golia and Feng Chen’s shared engagement of everyday objects, machinery, and elements of motion.

M. LeBlanc is proud to open the gallery’s second solo exhibition with artist Arnold J. Kemp.

The 61st International Art Exhibition of the Venice Biennale will open in 2026 with the title In Minor Keys, a moniker chosen by the late Koyo Kouoh, and will proceed with the theoretical framework the curator formulated before her death.

At Taka Ishii Gallery in Kyobashi, Tokyo, the artists are united in their exploration of urban decay, mystery and peace.

In homage to Audre Lorde, the artist’s exhibition at SCAD Museum of Art explores whether subsistence itself can be a form of resistance.

Last week, the VIMA contemporary art fair opened its doors to the public for the first time in Limassol, Cyprus, ushering in waves of eager visitors looking for fresh insights into the island country’s rapidly developing creative ecosystem.