Days before a Louise Nevelson sculpture was scheduled to hit the auction block at Sotheby’s in May 2022, one of the most powerful figures in the late artist’s market, Arne Glimcher, declared it inauthentic.

Just two years ago, to celebrate the 50th anniversary of Picasso’s death, dozens of museums across the globe put on shows that took seemingly every angle possible on the artist’s career and legacy.

On Tuesday, May 6 at 5:30 p.m., Tornabuoni Arte will inaugurate “Casorati.

Nazarian / Curcio is pleased to present Lover’s Knot, Wendell Gladstone’s third solo exhibition with the gallery.

‘I Do Not Come to You by Chance’ transforms Grosvenor Hill with new paintings and a full-scale re-creation of the artist’s childhood courtyard in Ghana.

Borrowed from a mistranslation of Julia Kristeva’s “Power of Horror,” the title “War Goes Straight to Their Tummies” positions the exhibition precisely in a space of misplacement.

This exhibition is awash with luscious brushstrokes, but then that’s to be expected: it’s full of Scottish painting.

Intricately drawn cityscapes, the persistent presence of the feminine experience, and a quiet yet unmistakable sense of resilience—these were the themes that emerged as I walked through the Serpentine Gallery in London, taking in the remarkable retrospective of Arpita Singh.

The May Day energy buzzing through the city has perhaps died down for most, unless, of course, you participate in Berlin’s annual Gallery Weekend.

Choreograph the Unknown: A Review of Erol Scott Harris at cam.contemporarie

As the international art world converges on New York for the art fairs this week, Galerie has surveyed six major spring fairs to present a selection of standout artworks.

Rounding up the best gallery exhibitions across the United States each month, Galerie traveled from New York to Miami and Los Angeles to discover the top solo shows.

Building on over a decade of momentum, Art Busan 2025 strengthens its role as Asia Pacific’s premier springtime art fair, forging new pathways in contemporary art across the region and beyond.

The exhibition title and its central conceptual axis are a conscious reference to Astrida Neimanis’ essay Bodies of Water.

In the English language, there are several metaphors related to thread, and almost all of them convey a sense of continuity and unison.