On the east choir screen of Bamberg Cathedral, sculpted pairs of men are framed by carved arches.

Editor’s note: Themed on “Chasing the Light”, 2025 CAFA Graduation Season kicked off at CAFA Art Museum in early summer.

A new body of work by Andrew Salgado (previously) unfurls from a central premise: we are the books we read.

In large-scale works in oil, Detroit-based artist Mario Moore taps into the legacy of European painting traditions to create bold portraits exploring the nature of veneration, self-determination, and the continuum of history.

Canopy Collections, founded five years ago by Louise Chignac and Cécile Ganansia.

At Fondation Pernod Ricard, Paris, a group exhibition captures the tumult of familial relationships.

Produced in collaboration with Kaikai Kiki Gallery.

Pendleton’s first solo show in DC, featuring new paintings and a major video work.

A group exhibition focuses on the fragmented nature of identity and the circular loop of external and internal feedback involved in self-image creation.

Huyghe conceives exhibitions as fictions from which other modalities of reality, possible worlds and time could emerge, where subjectivities are formed, interact, learn, and evolve.

Richard Hawkins’s solo exhibition—his eighth at Greene Naftali—follows desire where it leads, in twin pursuit of art historical fandom and the lure of the celebrity crush.

The small acrylic paintings on paper are the source for the other paintings.

Polaroid photography, with its distinctive immediacy and nostalgic charm, has long captivated artists seeking to push the boundaries of image-making.

Terry Allen Jones and Lauren Browning, two artists based in the greater San Antonio area, both address the natural world in their work.

Berth has a characteristic for each of his projects which he creates through the experimental “misuse” of technical devices, the conversion of existing devices and even building his own tools to capture images in uncommon ways.