Bianca Bondi transforms the halls and courtyard of the 18th-century Palazzo Chigi Zondadari in Siena into a dynamic intertwining of organic and inorganic forms in constant flux.

The renowned expert Gianni Papi claims to have found the Italian master’s first painting, the original of ‘Boy Peeling Fruit’.

On trailheads, in chapels, and at far-flung corners, the ten gallery exhibitions we’re excited to catch across New England.

Exhibitions by the two mid-career artists embody a new spirit of collaboration among Maine art institutions. Together, their work tells a vivid story about differing approaches to capturing the passage of time.

Mixed media artist Sadie Sheldon began collecting beautiful trash off the streets of New Orleans around a decade ago.

World-renowned glass artist Dale Chihuly is once again bringing his stunning sculptures to Michigan's Frederik Meijer Gardens & Sculpture Park.

In Charades, the artist’s second solo exhibition with the gallery, Simnett delves into the fluid boundaries between individual and collective behavior in new works that explore.

“That Which Carried Me” explores shelter as a multifaceted concept – a physical structure, an emotional anchor, a collective act, and a place for both the temporary and the permanent.

Ania Hobson presents her third solo exhibition with SETAREH titled Bird, featuring a new series of paintings that expand on her ongoing interest in spatial dynamics, figuration, and environment.

James Fuentes is thrilled to announce Hannah Lee, Dumbo’s Feather, marking the artist’s West Coast debut and first exhibition with the gallery.

Do we believe in our devices? Network-based technologies such as ChatGPT or Google Maps have become our closest companions: They know every path and every answer.

In the 19th century, French painter and rebel Gustave Courbet generated outrage with his scandalous nudes.

Royal Academy of Art, LondonWith an extraordinary painting by Emin, great works by Cindy Sherman, Cornelia Parker and Sean Scully, assisted by some perving from Allen Jones, this annual jamboree has returned to relevance.

Gustave Courbet, the enfant terrible of French 19th-century art, did everything he could to save himself in the memory of the contemporary art critics.

The painter Gustave Courbet, a central figure of Realism, is known for his paintings in which he reveals the true lives of peasants.