Raymond Saunders, known for his mixed-media assemblage paintings that layer fragments of printed matters with expressionistic brush marks, has died aged 90.
To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reaching out: within its collection to rarely exhibited objects; to villagers past.
Under the title “edging—bodies without orgasms”, Michał Leszuk curates a group exhibition at Kunstraum Lakeside that expands the annual theme Glitch with artistic positions that open the world to a queer language and bring the hegemonic dominance of majority society to the edge.
Greene Naftali is pleased to announce Raque Ford’s second solo show at the gallery, which reveals new facets of what one critic calls her “plexiglass poetry.”
On the third floor of a midtown office building in Manhattan, down the hall from a professional fingerprinting service, is a small, carpeted room with fluorescent lights built into drop ceiling tiles.
Gu’s evanescent, almost spectral characters emerge from atmospheric color fields, then dissolve again like memories half-remembered or dreams half-forgotten.
"Born in a favela north of Rio de Janeiro, art presented itself to me very early on as a way to escape the confining reality around me, as a way to construct my own language, to transform structural violence into creative energy."...
There’s a plausible story about the last half-century of art-making that would go something like this: By around 1950, almost all serious art was abstract. Soon enough, Pop art, Nouveau Réalisme, photorealism.
Discover some of the best London art shows this summer season including Yoshitomo Nara at Hayward Gallery, Emily Kam Kngwarray at Tate Modern, Jenny Saville at the National Portrait Gallery.
The practice of Boston-based Tory Fair consists of a captivating blend of body and ecology. In her recent work, which involves casting live sunflowers, she is not bound by fidelity to natural forms; instead, she allows material.