Blind Spots is conceived as an exhibition featuring works by artists who are mostly connected to the gallery’s program, and whose pieces—despite their relevance—have been left out within the realm of private collecting.

Empty Gallery is pleased to present our first exhibition with Hong Kong-based filmmaker Chan Hau Chun.

There has never before been a full-length book devoted to the fascinating story of The Hollywood History of Art, in all its glory. This profusely illustrated volume will fill this surprising gap.

Thousands of tourists are descending on Aix-en-Provence, France, with the aim of knowing the elusive painter better.

Mavis Pusey was a pioneer of Black abstraction before she was nearly forgotten. A new show in Philadelphia begins a journey of rediscovery.

This October, Aperture will release Coreen Simpson: A Monograph, the first publication on the celebrated photographer and jewelry designer whose career spans more than five decades.

The opening night attracted friends and family from across the country who were joined by local regulars for a dreamlike silent disco.

A needle runs through the canvas like it would through flesh. It doesn’t mend, it probes. It doesn’t repair, it records.

Beck Lowry’s sculptural paintings act as vessels. But what do they hold? Memory? Sensation? Labor? Five such pieces comprise “First Storm,” at Yossi Milo Gallery, the artist’s first New York solo show.

The Louisiana Art & Science Museum (LASM) is thrilled to announce its upcoming summer exhibition, Threads of Evolution: Engineering a Community That Sparkles, opening to the public on Saturday, July 19, in the museum’s Main 2 Gallery.

The Van Gogh Museum and Takii Europe have been partners for a decade and are proud to announce that they are extending their partnership by another three years.

Laguna Art Museum announces Marnie Weber: The Doll House, a special presentation of the artist’s monumental sculptural work The Doll House (2002) alongside a suite of related photographs.

'The Rose,' at the Center for Photography at Woodstock (CPW) in Kingston, New York, examines the work of over 50 artists using collage as a feminist practice

The 12th SITE Santa Fe International is a mightily ambitious and daring beast. It extends far beyond the customary selection of “relevant” contemporary artworks in major international exhibitions.

This exhibition is an extension of the publication titled Collaboration: A Potential History of Photography, published by Thames & Hudson in 2024 and organized by Ewald, Meiselas, and Wexler, along with scholars Ariella Aïsha Azoulay and Leigh Raiford.