Public Gallery is pleased to present By a ciphered fall, the first UK solo exhibition by Achraf Touloub, whose practice confronts the collapse of figure and ground, tracing the fissures between subjective and objective realities.

Camden Arts Projects, a bold new not-for-profit space championing contemporary art and film, opens its doors on 9 May with a major exhibition by Turner Prize-winning artist Martin Creed.

Chen Shuzhong is a contemporary Chinese artist who combines tradition and modernity in his works, depicting rural life and social transformations.

Stuart Semple created Yolo, a revolutionary pigment that uses advanced technologies to produce exceptionally brilliant color, accessible to all artists thanks to a democratic pricing model.

The artist selected from our latest Capture Public Art Open Call is Ning Cheng! Thank you to everyone who submitted.

At Kunsthal Charlottenborg, Copenhagen, the artist tracks what safety obscures – from state violence to the silence of forgotten stories.

Maurizio Cattelan to Curate the Centre Pompidou Collection in Metz: To mark its 15th anniversary, the Centre Pompidou-Metz will present Endless Sunday—an ambitious, museum-wide exhibition that rethinks the history of art through the lens of Maurizio Cattelan.

The New Museum has revealed that Klára Hosnedlová will create a site-specific commission for the Museum’s new Atrium Stair as part of the New Museum’s reopening exhibition program.

When you’re a young woman in the big city service industry, clients are just dying to know what you’d rather be doing. I’d tell them I moonlit as an art writer. “Are you a critic?” they’d often ask.

Camden Arts Projects, a brand-new not-for-profit creative space dedicated to showcasing the works of both established and emerging artists and filmmakers.

The most striking works on view at this New York fair channel political urgency into personal explorations, embracing sincere introspection.

Paintings that pay tribute to the art of cosplaying, sculptures celebrating Mexican artisanship, and ethereal Korean ink drawings were among the standout works at this joy-filled fair.

David Hockney’s retrospective at Fondation Louis Vuitton is full of new beginnings.

Public discourse and politics are increasingly characterized by fears—with Germany being one of the starkest examples of this.

“The Messenger,” Jack Whitten’s momentous and flawlessly curated exhibition at the Museum of Modern Art, is a signal event not just in American art history but, arguably, in American history simpliciter.