MEDIATION AND CONTAINMENT, I wrote in all caps at the end of my notes from Marie Matusz’s show “Reservoir,” a tightly orchestrated display that may be the artist’s most accomplished to date.
This show consisted of just one painting, Untitled, 2024, the scale and proportions of which closely matched those of the wall on which it hung, one that faced the entrance to a reconfigured downstairs gallery.
A show at the Morgan Library & Museum centers on a popular travel compendium of the medieval era, filled with exaggerations and bizarre inventions, that shaped how people viewed the world beyond their borders.
Some twenty-five sculptures and ceremics and over thirty light sculptures by the American-Japanese artist Isamu Noguchi (1904–1988) will be on view in and around the Rijksmuseum this summer.
Henie Onstad Kunstsenter in Oslo, Norway, is delighted to announce Lap-See Lam as the 2025 recipient of The Lise Wilhelmsen Art Award, one of the most significant art awards in the world.
Joseph McGlennon’s forthcoming solo exhibition The Hunt will be presented alongside a survey of the artist’s past work throughout Olsen Gallery, Sydney.
World Art Day 2025, established by the International Association of Art (IAA) in honor of Leonardo da Vinci’s birthday, celebrates the transformative power of art across the globe.