“With an Acre” is the final chapter in the three-part film and exhibition series “Groundwork”, that explores the conceptual development and field research of contemporary architects cultivating alternative modes of practice in light of the ecological crisis.

Depicting “Okada” riders in Lagos—who operate an informal economy of motorcycle taxi services that have been banned since 2022—“Machine Boys” presents a layered and kinetic portrait of the riders and the profound impact of the ban on their lives.

The exhibition comprises a new series of digitally rendered environments printed on mirrored glass, drawing from author Dare Wright’s The Lonely Doll children’s book series.

The Hamburger Kunsthalle, together with the Stiftung Hamburger Kunstsammlungen and the Campe’sche Historische Kunststiftung acquired the painting Le Palais de Rideaux by René Magritte.

In a contemporary art landscape often defined by complexity, maximalism, and digital saturation, minimalism continues to offer a counterpoint rooted in clarity, restraint, and precision.

“Living Without the Gods” is a profound meditation on the loss of identity and cultural sovereignty.

Tess Oldfield turns her voice into a mechanized choir at ACRE Projects.

Renee Magnanti and Bill Pangburn are an artist couple who work independently of one another, but often exhibit together.

June 20 and 21, the National Cowboy & Western Heritage Museum hosted the art sale weekend of its 53rd annual Prix de West Invitational Art Exhibition & Sale.

The weekly feature rounds up the latest updates in museum appointments, openings, funding and new exhibitions from across the UK.

The historic resonance of Klára Hosnedlová’s installation at Hamburger Bahnhof stems not only from its setting—the museum’s grand central hall, reminiscent of Tate Modern’s Turbine Hall—but also from the nature of the collaboration that enabled its creation.

In Telos Tales, Polish-German contemporary visual artist Alicja Kwade (b. 1979) manipulates ordinary materials and systems into metaphysical investigations.

Although many of his designs remain unbuilt — with a few exceptions, including King Charles’s Poundbury — he was a driving force in the New Urbanism movement.

Anselm Kiefer is the German painting of powerful intensity who was hugely inspired by van Gogh, as this fine exhibition intensely demonstrates.

Elizabeth Peyton’s Liam + Noel (Gallagher), one of her most significant portraits of the Oasis brothers, sold on the low part of the estimate at Sotheby’s most recent Modern & Contemporary Evening Auction in London.