The constant inequality of leonor’s days* is a new sculptural installation by Leonor Antunes (born in 1972 in Lisbon), spread across six rooms on the ground floor of the Crac Occitanie.

Sunlight seeps in from the street, pooling across the polished threshold. Before a single painting resolves from the soft haze of first encounter, the air inside Sleight of Hand thickens — charged with the prickle of being watched by the watched.

Artist's works animate his illuminating perspectives on what many would consider to be mundane, Lin Qi reports.

The museum upends various misconceptions about the novelist’s life by celebrating the anniversary of her birth through a fresh, intimate glimpse at her personal artifacts, manuscripts and more.

Our critics pick 11 outstanding exhibitions — many still on view this summer —and tour the renewed Frick Collection and the Met’s Michael C. Rockefeller Wing.

The Los Angeles County Museum of Art (LACMA) today announced the acquisition of Jeff Koons’s Split-Rocker (2000), a monumental sculpture adorned with living plants and flowers.

Pérez’s impulse as a photographer is to hold a feeling still — which is, really, a means of honoring the living, witnessing them.

An exhibition dedicated to the first five years of Una Boccata d’Arte, the widespread artistic project launched in 2020 from an idea by Marina Nissim.

In Rosa Barba’s conceptual explorations of film, the artist regards cinema as an architectural medium, using film as a speculative instrument to examine the unique properties of space.

German for ‘Neighbors,’ Nachbarn parses the facts and fetishes of geopolitical borders in a time of supernatural devotion to money.

This week we are celebrating the artistry of five unique artists exploring the frontiers of cyanotype.

The first of its kind, this vast show is a stunning tour of the realism movement of the 1920s and 30s, bringing together artists from across Europe.

I needed to write about Michele Abramowitz to understand the uncanny allure of her paintings, now on view at Kate Werble Gallery.

Editor’s note: Joel Shapiro died June 14, at age 83. In the final weeks of the sculptor’s life, Max Norman interviewed him for a career-spanning profile.

Monstrous Beauty at the Met proposes a link between Europeans’ attitudes towards Chinoiserie and their fetishisation of the East Asian female body.