In Kinshasa, the Congolese capital, groups of locals are turning mountainous piles of invasive trash into surreal costumes.

It was women who drove his art to its heights – and women who bore the brunt of his callousness and ego.

Today, its thirty-three surviving pieces are scattered around the world; eight of them were reunited for the first time since the eighteenth century in the exhibition “Siena: The Rise of Painting, 1300–1350’’ at the Metropolitan Museum of Art in New York.

The exhibition Koji Kamoji: Don’t Let the Unnecessary Overshadow the Whole at WATARI-UM, the Watari Museum of Contemporary Art in Tokyo is the artist’s first solo exhibition in his native country.

Amos Rex’s spring exhibitions bring together two artists whose works portray attempts at communicating and at understanding others—sometimes effortlessly, sometimes falteringly, but always offering new insights.

Fredericks & Freiser and Margot Samel are pleased to present Mourning Sun, a solo exhibition by Dustin Emory (b.1999, Atlanta, Georgia), spanning both gallery spaces in New York. This marks Emory’s first solo exhibition with each gallery, and his debut in New York.

An exhibition, highlighting gongbihua, which is a traditional Chinese painting technique known for its meticulous, detailed and precise brushwork, was unveiled at the National Centre for the Performing Arts in Beijing, which will run until April 20.

Laurent Martin “Lo” is a visionary French artist renowned for his masterful bamboo sculptures that appear to float or balance with ethereal elegance.

miart 2025 to feature 179 galleries from 31 countries and 5 continents with major gallery returns and significant new exhibitors.

Largest UK survey exhibition of Ed Atkins opens at Tate Britain. One of the most influential British artists working today, Atkins is best known for his computer-generated videos and animations.

Overtaking two of Matthews Marks Gallery’s New York locations, her installations explode stale hierarchies of taste.

The exhibition purposefully presents an image of joy and hope to contrast with the harsh realities that these children have already faced in their lives, eschewing the mass of warzone trauma porn that can end up creating a voyeuristic viewing dynamic.

Some artists look to break boundaries; Dozie Kanu prefers to dismantle them and see what’s left standing.

At the heart of JR’s practice is a call to social transformation. Whether its creating a Louvre-based optical illusion or a muralist intervention at California’s high-security Tehachapi prison.

Toy enthusiasts, art buyers and especially, Takashi Murakami fans should pay attention to this year’s lineup at Thailand Toy Expo in Bangkok.