A visitor at France’s Pompidou-Metz museum bit into Maurizio Cattelan’s infamous banana artwork “Comedian” last week, prompting swift intervention from security.

Max Ernst (1891–1976) was a prolific German avant-garde artist. 

The artist’s first museum tour luxuriates in the spacious and sophisticated folk-modernism he left behind, even as it unevenly canonizes a painter of the millennial era.

Travelling from Hauser & Wirth New York, 22nd Street, this exhibition presents a group of works—landscapes, still lifes and portraits—made by the distinguished American artist over the last two decades.

On July 19, the RISD Museum will open the first UUS survey of artist Liz Collins’ genre-defying work.

From July 6 to October 26, 2025, the historic rooms in Castel Belasi, in Val di Non (Trento, Italy), will host the exhibition FRAGILE—A Selection of Glasstress, an amazing exhibition project that sees dialogue between contemporary art and designer glass art.

How must we change our society so that the Earth remains habitable in the long term? In July 2025, Fellow Travellers.

For their Spanish debut at Pelaires Cabinet titled All I Do the Whole Day Through, Pace Taylor prepared a small suite of pastel drawings and watercolors that deal with desire and intimacy.

Małgorzata Mirga-Tas’s art celebrates Roma culture through detailed, realistic depictions of everyday life—scenes of smoking, playing cards, or hanging laundry—and intricate textile works and sculptures.

After decades of capturing Zambia’s capital city, the photographer returns for an exhibition featuring his works alongside South Africa’s William Matlala.

From George Michael to Boy George, photographer David Koppel captured a who's who of celerities at Eighties nightclub Limelight.

Spectacular embroideries, a dialogue between pharaohs and contemporary artists, and rarely seen works by David Lynch are among the team’s highlights.

Piet Mondrian’s paintings, especially those painted from 1919 onwards, began to enter what he called ‘a real and completely human harmony.’

Bridget Riley’s Concerto I (2024) enters the Tate collection—a gift from the artist herself. The painting debuts alongside Fall (1963) in a focused display running through June 2026, tracing six decades of Riley’s optical alchemy.

Pablo Bronstein has created a series of drawings for Waddesdon Manor in Aylesbury, the former home of Baron Ferdinand de Rothschild, which is now in the care of the National Trust.