Molly Maureen Phiri Winckelmans is more than an artist she is a storyteller whose voice echoes across cultures, mediums, and generations.

At Cooke Latham Gallery, London, the artist’s works bring together the aesthetic principles of different ancient civilizations.

As the Centre Pompidou prepares to close for its five-year hibernation, the museum is handing over the reins to Wolfgang Tillmans for an exciting send-off.

She combines text, images, and objects to orchestrate a distinct style of visual poetics that is grounded in language while rewiring it.

To get to Tony Cokes’ “All About Evil” at Hannah Hoffman, a show displaying 12 selected works from a period of nearly two decades (2006-2022), one must pass a sidewalk sign for the neighboring jewelry boutique Spinelli Kilcollin.

For the first time in the UK, a public institution has dedicated its space to a full-scale retrospective of Yoshitomo Nara, the Japanese artist whose enigmatic, wide-eyed children have become icons of contemporary art.

According to the famous poster by Guerrilla Girls, 85% of nudes in Western art history are of women.

Boys and men posing with plants and flowers is a popular theme in art.

In the 46 years between her birth, in Port-au-Prince, Haiti, in 1961, and her death in Madison, Wisconsin, in 2008, Gelsy Verna produced a broad and deep artistic record of her experience of moving through the world.

CarrerasMugica is pleased to present Zuretzat, from 29 May to 30 July, the artist’s fifth solo show at the gallery following ones in 2006, 2009, 2014 and 2019.

Editor’s Note: This story is part of Newsmakers, a series where we interview the movers and shakers who are making change in the art world.

Ching Ho Cheng used to say he was working with paper, instead of on it.

The practice of Francesco Jodice (Naples, 1967) moves in deep connection with the surrounding context and along the boundaries of visual arts and socio-anthropological investigations.

It’s a little after 10pm on a Saturday night and I’m standing in half a foot of water at the bottom of a medieval cistern in Coimbra in Portugal.

Artist Debra Bernier of Shaping Spirit can see faces in the most unlikely of places. Within pieces of driftwood, sun-bleached bones, and shells, she envisions figures and brings them to life using found natural materials.