At the center of Stan Douglas’s current survey at Bard College’s Hessel Museum of Art in Upstate New York is a new video installation with images so appalling and so hypnotic that I watched the work through three times.
Visual artist Tyrrell Winston, whose “signature use of found, deflated basketballs” has garnered him acclaim—and, he says, contracts with NBA owners—sued the New Orleans Pelicans on Wednesday for copyright infringement.
Our editors on the exhibitions they’re looking forward to this month, from Veronica Ryan and Aki Sasimoto to EVA International and Seoul Mediacity Biennale
Controversy over an Amy Sherald painting of the Statue of Liberty reveals divides over US national symbols, joining debates that have centred on the statue since it was first unveiled.
Eliza Douglas’s series of kitschy, somewhat generic paintings dressed in thick bows, as if prepackaged to emphasize their commodity character, debuted at CFA in Berlin a good year ago.
The Yale University Art Gallery acquired an exceptional example of late Gothic sculpture, a Virgin and Child Enthroned by Tilman Riemenschneider (ca. 1460–1531).