Ho Tzu Nyen is a Singaporean artist, filmmaker and theatremaker who is considered as one of the most innovative artists to emerge internationally in the past 20 years.

“Is it just me, or is it hot in here?” As soon as you enter the exhibition, the setting of Hot Flashes has been established: a world within a world, both tiny and immense.

The Latvian Centre for Contemporary Art announces the location and artists for Survival Kit 16: House of See-More, curated by Slavs and Tatars and Michał Grzegorzek.

Independent 20th Century announced further details of the fair’s fourth edition, taking place in New York City this September 4th–7th, 2025.

Art talk with Jordan Wolfson and special guests as part of the presentation of the artwork “Little Room” (2025) by Jordan Wolfson at the Fondation Beyeler in cooperation with the HEK (House of Electronic Arts).

Julia Curyło was born in Warsaw. She studied at the Academy of Fine Arts there, graduating in 2009 with a degree under two respected professors—Leon Tarasewicz in painting and Mirosław Duchowski in art for public space.

On view through Sept. 14, 2025, at the Dayton Art Institute (DAI), Curtis Barnes, Sr., Dayton Icon celebrates the life, work and legacy of one of Dayton’s most influential artists and educators.

When considering a historical moment that feels as destabilized as our current world order, I can’t help but ruminate on the notion of the zeitgeist, that ever-felicitous term derived from the German words for “time” and “spirit.”

At once a sensory organ and a seemingly transparent screen, the eye has captivated artists for centuries—none more obsessively, perhaps, than the Guatemalan painter and printmaker of Palestinian descent, Rodolfo Abularach.

Hubba Hideout is like the best of house parties. You’re certain of buzzy conversation, the promise of erotic frisson, and the certainty of seeing friends, old and new.

Indigenous Group of Seven artists broke barriers, resisting systemic exclusion and redefining Indigenous art within Canada and beyond.

Koo Jeong A’s exhibition “Land of Ousss [Kangse]” feels oddly scattered. Contrary to what the title implies, it isn’t concerned with a land – although it makes frequent references to real places, countries, and especially to Arles, France, where it is being shown at LUMA.

What are the stakes of insisting upon political hope, in all its felt potential for redeeming past injustices, when progressivism is under attack globally? This is the question taken up by “The Gatherers” at MoMA PS1.

The Japanese-born, Berlin-based artist Leiko Ikemura has had a cult following in the United States since the early nineties.

9 Contemporary Art Exhibitions to Visit in Central and Eastern Europe.