Addis Fine Art and Dereje Demissie present Whispers of Form, a solo exhibition moving fluidly between figuration and abstraction.

London – In a landmark prosecution, art dealer and television personality Oghenochuko Ojiri has been sentenced to two and a half years in prison for selling artworks to a suspected Hezbollah financier without declaring the transactions.

Arnolfini presents Como la Cigarra, a vibrant new exhibition co-created with Latinas in Bristol, running from 7 June to 10 August 2025.

Galleria Continua is presenting YOUNGER (a fairy tale), 1980-1990, a solo exhibition by Nedko Solakov, at its Paris / Marais space.

François Ghebaly announced the co-representation of Salim Green with Société, Berlin. His debut exhibition with the gallery will open in September at our Los Angeles location.

Kate MacGarry is presenting Francis Upritchard’s sixth solo exhibition at the gallery, featuring figurative sculptures, ceramics, and fabric masks.

The Austrian Sculpture Park invites artists annually to create temporary works that engage with the landscape and its layered history in poetic and critical ways.

Immerse yourself in the rich tradition of Indigenous artistry with “Jeremy Frey: Woven,” on view June 5-Sept. 7 at the Bruce Museum.

Ahead of his biggest Euro­pean exhibition to date, the Japanese artist introduces eight works that chart his rise from student to superstar.

Sculptor Diana Al-Hadid defies centuries-old conventions of femininity and womanhood in “unbecoming,” on view June 7-Dec. 14 at the Eli and Edythe Broad Art Museum at Michigan State University (MSU Broad Art Museum).

Julius Rojas a.k.a. Leelyn Natas or TWYVRNN3R is a 27 year old Puerto Rican, Dominican artist that will one day show everyone the world through his pictures and art. His mediums are camera and by way of Procreate.

Conservation efforts by Save Venice restore the radiant colors and empathetic forms of the painter’s monumental work.

The YBA who didn’t have time to become a household name.

One thing I’ve come to believe as a writer is: listen to the call of synchronicity. In October last year, for my first piece for this magazine, I met up with NUS Museum curator Sidd Perez to find out about the Museum’s plans for the upcoming revamp of its Ng Eng Teng gallery.

The expansive fields of color within these distinctly engaging and wittily orchestrated paintings of Frances Barth are frequently negotiated with such iconographic signs as a segment of a bricked wall, a Saarinen Tulip table, a pyramidal form, or a television set.