Diego Velázquez was one of the greatest painters of the Spanish Golden Age.

For over four decades, Janssens (b. 1956, Folkestone, UK; lives and works in Brussels) has explored the shifting boundaries of perception through a practice that is both rigorous and elusive.

The two-person exhibition of Yool Kim and Noah Becker at Gallery Merrick is a deft pairing that maintains aesthetic tension and quiet harmonies.

The title of the two-person show at Cheremoya, “Conversion,” has a twofold implication: religious and material transformation.

New York’s art scene has come together with a vibrant Frieze week itinerary.

HOFA Gallery, in partnership with PhillipsX and Hivemind Capital Partners, presents a landmark new group exhibition spotlighting 32 of the world’s leading digital artists.

In a mid-century former church in the Lake Claire neighborhood, artist W. Chester Old presents a retrospective of his career.

Yalin Zhao turns insomnia into art Her motorized Sleep Sound sculpture roams through galleries.

As a major retrospective of Auerbach’s work opens in Berlin, the city of his birth, we speak to his son and the show’s curator about the revered artist’s deeply evocative paintings.

In the interstitial territory between direct perception and technological mediation, a particularly fruitful space for reflection is opening up today, which questions not only the mechanisms of representation, but its very ontology.

The Melbourne-based artist explores his own identity as a first-generation Indian migrant and how that intersects with broader colonial histories.

202 Gallery is proud to announce Daughters With Wings, a powerful group exhibition curated by celebrated Nigerian poet and cultural thinker, Ijeoma Umebinyuo.

unx-art’s latest group exhibition brings powerful new voices from Nigeria to Sierra Leone, exploring identity, memory, and cross-cultural dialogue through contemporary art.

The opening night of Frieze New York 2025 felt like a kaleidoscopic plunge into contemporary art’s current obsessions: spectacle, tactility, and the porous boundary between craft and concept.

A strong influx from Asia, plus stands devoted to smaller works by emerging artists, got the fair off to a smashing start despite economic headwinds.