Opening later this week with new leadership, the photography fair is determined to move away from the clichés of supermodels, artful murmurations of birds and majestic beasts.

As the Getty wraps up its third edition of this initiative, it is time to address a persistent problem.

Should carpet as a medium be as highly regarded as painting with oils and sculpting with marble? Anna Perach, an artist born in Ukraine, talks us through her new show inspired by Hoffman’s love triangle tale The Sandman.

Observations and Highlights from the Best Satellite Fairs.

Curling, dripping, growing, breathing, living. Kent-based artist Lilia Orlova-Holmes’s sensorial works transpose the essence of Earth’s most verdant spaces onto canvas.

Trinosophes, the multidisciplinary arts space on Gratiot Avenue across the street from Eastern Market, is now featuring an exhibition of El De Smith, an erstwhile denizen of Detroit’s Cass Corridor area during the art movement’s vintage years in the 1970s.

A Canadian art lover might be surprised to discover an exhibition where Emily Carr is hung alongside Edvard Munch.

The art world is in mourning following the sudden and untimely death of Koyo Kouoh, the acclaimed curator and cultural force who was appointed to lead the 61st Venice Biennale, scheduled to open in May 2026.

Michael Lynch has just released a new book, Sacred Places and Sacred Faces that is a testament to a journey, both internal and external.

Urdaibai is a protected area known for its extraordinary natural wealth.

Alexandre Cabanel rose to fame for his historical, classical, and religious subjects, all executed in the refined style of French academic painting.

Britain is an obvious pilgrimage site for all Pre-Raphaelite fans.

Artist and photographer Federico Rabinovich unveils Wind Full of Space, a striking new photographic series capturing the haunting stillness of Southampton, New York, during the off season.

Michael Werner Gallery, New York is presenting Scarecrow, an exhibition of new works by Sanya Kantarovsky (b. 1982 in Moscow).

Room 34 of the National Gallery was unveiled as the Blavatnik Family Foundation Room in recognition of its significant gift to NG200.