Marking its 55th edition, Art Basel returned to Messe Basel this June with an ambitious presentation that confirmed its position as the undisputed heavyweight of the international art fair circuit.

Edward Hopper is one of the most revered American artists of the 20th century. His most famous painting is Nighthawks (1942), which depicts a late-night diner from the perspective of a viewer looking in at the customers, who appear lost in thought.

From radical hospitality to reimagined living spaces and poetic futures, these five compelling exhibitions—spanning historic palazzi, hidden galleries.

Although Donald Judd was active in ecological preservation and the mission of The Chinati Foundation is multilayered and contains political elements, most people experience the artworks there primarily through an aesthetic lens.

The Kunsthistorisches Museum presents in cooperation with Kaiserschild Foundation, Alte Galerie of the Universalmuseum Joanneum Graz and Kunst Museum Winterthur a special exhibition on the Dutch Baroque painter Pieter Claesz (1597/98–1660).

New exhibition ‘Abstract Erotic’ (until 14 September 2025) sees artists experiment with the grotesque.

Few artists challenge the very structure of perception as rigorously as Mikael Christian Strøbek. His work resists easy classification, resting not within the categories of painting, sculpture, or installation, but rather in the undetermined areas that separate them.

I am truly proud to inaugurate the gallery’s new space at Sinsen and, at the same time, celebrate Femtensesse’s five-year anniversary with a group exhibition featuring works by Damla Kilickiran, Eline McGeorge, Inga Sund Hofset, Marthe Ramm Fortun, and Mohamed Mohamed.

Berlin's Kunstgewerbemuseum (Museum of Decorative Arts) opened a groundbreaking exhibition that offers a completely new way to experience fashion history.

This summer, The ArtWorld Post presents a special summer art camp led by contemporary artist Yee Wong. Designed as an inspiring, hands-on experience, the camp invites young creators to dive into color, shape, texture, and self-expression through daily guided sessions.

Marcel Duchamp spent the final 25 years of his life living in an apartment at 210 West 14th Street, secretly working on his final piece of art, Étant donnés—a peepshow installation of a nude woman in a landscape.

Around the world, countless folkloric stories concern the origins of the sun and the moon.

The first show presented in the recently restored museum’s new exhibition galleries features three works by the 17th-century painter that, depicting women engaged in epistolary exchanges, are rich with unspoken drama and emotion.

The artist’s quiet radicalism lies in his empathetic portrayal of women navigating love and agency within a domestic sphere defined by a rigid framework of expectations, he told Observer.

In the exhibition Le Mangiatrici di Terra (The Earth Eaters), Pamela Diamante (Bari, 1985) constructs a complex visual.