Remarkably, these words are never spoken in Ian Fleming’s original novels. The now-iconic catchphrase was created on set and first delivered by Sean Connery in Dr. No (1962), becoming an indelible part of the spy’s cinematic identity ever since
Julien’s Auctions, the world's leading celebrity auction house brought the spirit of rock & roll, pop and musical legends to life this week with their annual “MUSIC ICONS” sale.
Unreal, surreal, but ultimately real, Plásmata 3, the wide-ranging exhibition by Onassis Stegi in Athens’ Pedion tou Areos park, creates a world where the boundaries between reality and illusion dissolve and the everyday becomes magical.
The Art Gallery of South Australia today announced Jack Ball as the winner of the $100,000 Ramsay Art Prize, the nation’s most generous prize for Australian artists under forty.
The topic of identity in the contemporary era is configured as a polarized horizon between apparently irreconcilable extremes: the perception of being everything and that of being no one, memory and oblivion.
This summer, Togo-born, Brussels-based photographer Hélène Amouzou will realise a major new site-specific photo installation in the Royal Docks, co-curated by The Line and Arup Phase 2.
Soumoud In Dark Times is a new photobook by Rehab Nazzal. Featuring 41 color photographs taken between October 2023 and November 2024, the book presents a diaristic record of everyday life across the West Bank during a year of intensified military and settler violence.
The Getxophoto International Image Festival 2025 is currently taking place from May 29 to June 22, exploring this year’s theme: REC — that button we compulsively press on our devices to record the world around us.
Ariane Mueller: Fish are folded into the sea just as the sea is folded into fish Ariane Mueller’s exhibition Fish are folded into the sea just as the sea is folded into fish is divided into two spheres facing each other that Mueller associates with war and peace, respectively.