Blak In-Justice, staged by the Torch and the Heide Museum of Modern Art, features works by Judy Watson, Vernon Ah Kee and Destiny Deacon

The Saatchi Gallery is displaying over 500 works that have used nature as inspiration and even included floral material.

Step into the artist’s fantastical “Empathic Universe” at the Museum of Arts and Design in New York, where everything seems moving and alive.

Giuseppe Penone’s principal materials are trees, wood, leaves, plants and rocks. A new solo show in London brings together works from his long career.

An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion

We’re excited to introduce 10 rising photographers who are making waves in the photography scene this April 2025.

Glenn Brown: Art as a Dream of the Subconscious

Capsule is pleased to present “Capsule Filling”, a pop-up group exhibition showcasing works by 18 artists, ranging from sculptures and installations to paintings and photographs.

Björn De Feyter analyzes and feels, he feels and analyzes. An image emerges that gives direction to the process of feeling/analyzing, to the point that a definitive image emerges. Ratio and poetry merge with each other.

The procedure seems simple: the scalpel cuts a part out of one image and inserts it into another in such a way that it fits perfectly into the composition.

In Graham Wiebe and Boz Deseo Garden’s The Sphinx, a large plywood box approximates the dimensions of a (non-existent) antechamber beneath the right paw of the Great Sphinx.

“I want to explode the idea of beautiful ikebana,” says Kosen Ohtsubo, one of the foremost conceptual artists working in the Japanese tradition.

At Palazzo Scammacca del Murgo, after the stops in Caltagirone and Scicli, the exhibition “Ateliers revealed. Photo reportage by Antonio Vacirca” arrives, curated by Giuseppe Cona and promoted by Scalamatrice 33.

To return and escape and return and escape again. At the tail-end of 2023, a year that, despite its continued proximity, seems to have taken place decades ago, I published an essay titled ‘The Reminiscence Bump’.

The artistic practice of DORIS GUO (*1992 in San Francisco, lives and works in Oslo), spanning a variety of media, is based on capturing moods and precise observations, distilled into multi-layered works and atmospheres.