Congratulations to Sarah Sudhoff for being selected for CENTER’s Project Launch Grant recognizing her project, 77 Minutes in Their Shoes.

Jeff Wall (Vancouver, Canada, 1946) is recognised as one of the biggest names on the international visual arts scene in recent decades.

Theatre is an optical device. From the stalls to the stage, a mechanism takes hold. It locks bodies in place, directs the gaze, stabilizes its trajectory.

There is the majestic silence and emotional echo when you sit in front of a group of Rothko's. It's documented and written about at large, and I have had that feeling so many times with his works, just this sort of monolithic echo of life coming from the color field works.

At Galleria Continua, the Italian artist's latest work turns industrial detritus into sculptural meditations on tension and collapse.

A partnership between MCH Group, Qatar Sports Investments and QC+ will bring the international art fair to Doha with a tightly curated roster of fifty galleries.

These verité-style images of the band and their fans capture the surreality of their U.S. invasion.

The show at Kenwood House features 18 portraits of American heiresses who came over to the UK to marry into aristocracy—with many of them going on to make a considerable mark on British society.

The fair, a partnership with Qatar Sports Investments (QSI) and QC+, will launch in February 2026 with around 50 international and regional galleries.

Works at the inaugural triennial entreat locals and visitors alike to imagine new ways of understanding our world.

The Los Angeles show aims to make the emojis of the past more accessible.

What does it mean to freeze time? Oliver Osborne seeks the answer in paintings of his three sons.

Explore Jean-Michel Othoniel’s poetic new exhibition “Stardust” at La Malmaison in Cannes, where Mediterranean light, sacred symbolism, and contemporary art converge during the 2025 cultural season.

The event also marks the debut of Tembo, a luxury fusion of wearable art and wildlife photography, with a curated exhibition and the release of a special edition rhino cap supporting Ol Pejeta’s mission.

Luc Tuymans was never interested in painting religious scenes. But as we stand by the altar in the Basilica di San Giorgio Maggiore in Venice, studying his two new paintings, he can’t help but wonder: ‘If you have to make a religious connotation? Purgatory and Hell.’