Cursed to repeat the words of others, Ovid’s Echo is never able to articulate herself fully, constructing a Self only through fragments of the language around her.
An exhibition project conceived as a dialogue between the practices of Sara Ravelli and Melanie Ebenhoch, in response to the embroidered work Torna La Dea al Suo Tempio (1944) by Maria Morino Savinio.
While a 22% VAT rate is a pressing issue for the art trade in Italy, the country is also benefitting from the arrival of wealthy individuals from the UK.
Gallery 1957 presents ‘Memories of Yellow: A Game of Power and Chance’ by Jeremiah Quarshie, a solo exhibition which weaves themes of unpredictability, memory and power into a vivid exploration of Accra’s water crisis.
Leonardo da Vinci’s ‘Salvator Mundi,’ a masterpiece that has captivated the art world for centuries, took a remarkable journey from obscurity to the limelight in the mid-2000s.