Gallery Wendi Norris presents Modern Milieu, featuring works by Leonora Carrington, Leonor Fini, Wolfgang Paalen, Alice Rahon, and Dorothea Tanning.

The National Gallery of Australia has announced a new acquisition by celebrated American artist Jeff Koons. Koons’ striking sculpture — Balloon Venus Dolni Vestonice (Yellow), 2013–17 — has been gifted to the national collection.

Julien’s Auctions announced Fine Art From the Playboy Archives – Part II, an exclusive offering of over 300 original works of art and historic artifacts from the Playboy vaults, taking place Thursday, August 26th, 2025.

The Kimbell Art Museum announced today the acquisition of Still Life with Melon, Watermelon, and Other Fruits, painted c. 1610–20 by the Italian artist known as “Pensionante del Saraceni.”

The Harn Museum of Art at the University of Florida is presenting a major exhibition, French Moderns: Monet to Matisse, 1850 – 1950.

I recently had the pleasure of sitting down over coffee with photographer Pelle Cass to discuss his work, creative process, and life in Boston. Our conversation flowed easily.

After a four-year, $80 million renovation, this display of the arts of Africa, Oceania and the ancient Americas seems bigger, brighter and more closely linked to the Met’s other collections.

AI, robotics, and digital pioneers in an immersive exhibition at Beijing’s Taikang Art Museum

Our top picks for August span London and Dover, to Berlin and the woodlands of Japan. They are a perfect reminder that art is a tool for change, advocacy and activism.

Fair director Eunice Jung opens up about Kiaf’s evolving identity, market resilience and Seoul’s rising cultural power.

The Chelsea gallery staged more than 350 shows during its 35 years in operation.

The First Nations-run social enterprise initially made traditional baskets before expanding into contemporary and sculptural works now exhibited around the world.

The actor has appeared in a video promoting New York’s newly renovated art museum.

Bongo Mei explores how Dr Greer Valley’s curatorial vision positions the museum as a catalyst for cultural belonging and critical dialogue.

Adilson De Oliveira unpacks how Sheppard transforms printmaking’s logic into a conceptual language of reclamation, rupture, and quiet defiance.