In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.

Through hanging sculptures and painted landscapes, Dana Clancy, Audrey Goldstein, and Cristi Rinklin engage with a present that is distrustful of the past and unsure of the future.

Through archival records and embodied transmissions, “an archive and/or a repertoire” displays over forty years of the artist-run organization’s survival and evolution.

A powerful exhibition exploring regenerative practice and transcultural connections, now underway at TarraWarra Museum of Art.

The Hong Kong Spring Sale of New Art Est-Ouest Auctions concluded on 29 March with impressive results.

Singapore Art Museum announced the 26 residents for its third international residency cycle. Comprising 23 individuals, 2 duos and 1 collective, they include artists, creatives, curators, and practitioners.

His photographs are a journey through time. Carl Friedrich Mylius (1827–1916) shaped the image of Frankfurt like no other photographer.

The Library Foundation of Los Angeles’s PST ART exhibition takes inspiration from the vast trove of patent and intellectual property resources that have been housed at the Los Angeles Public Library for more than a century.

The Palisades firestorm broke out several days before the scheduled opening of “Mothership,” Isabel Yellin’s solo exhibition at the Frederick R. Weisman Museum of Art at Pepperdine University.

“What Time Travel feels like, sometimes,” Erika Wanenmacher’s second exhibition at SITE Santa Fe, opened with a wall filled with objects.

As defined in a foundational 1989 essay by scholar Tomás Ybarra-Frausto, rasquachismo is an aesthetic and attitude in the work of Chicano artists determined to create a celebratory vernacular amid societal and cultural disenfranchisement.

“The Song I Sang as You Swam Away,” a solo exhibition by Kate Burke, featured a group of wall-mounted bas-reliefs that the artist made utilizing mosaic and assemblage techniques and incorporating ceramics, beadwork, stained glass, and more.

In 1966, ceramicist Howard Kottler (1930–1989) began affixing commercially available decals to store-bought porcelain plates.

GERTRUDE ABERCROMBIE (1909–1977) painted the strangest trees, which seem both earthly and otherworldly, with branches jutting out from trunks in graceful, balletic stretches.

The first thing I noticed about the twelve recent paintings in Donna Moylan’s first solo show in New York City since 2009 was the extraordinary delicacy of touch with which they were rendered.