“There is no evident line separating commercial galleries and art museums. . . . Galleries have become extremely adept at creating thoroughly researched experiences that museums can’t really afford,” remarked Maxwell Anderson.

Under the title Intelligens. Natural. Artificial. Collective., the Architecture Biennale tackles a number of pressing issues that are presented to us in a rather blunt way, yet also offer glimmers of hope.

Saatchi Yates present a monumental summer exhibition, ‘Once Upon a Time in London’.

This is an exhibition of quiet tones as well as the delicate new stories that we should begin telling in these times of crisis and upheaval.

“Although the ocean comprises 95% of Earth’s habitable volume, we continue to live as if the planet ends at the shoreline,” says French-Swiss artist Julian Charrière (b. 1987).

“I aim to progress calmly through careful self-critique. The day I complete a sculpture feels like a beautiful result of my respect for both nature and myself.”

Contributed by Sharon Butler / From June 15 to 19, Two Coats of Paint will be hosting LA artist Marie Thibeault for her second residency.

Perrotin has announced its representation of acclaimed American artist Nina Chanel Abney and will host a new solo exhibition with the artist at its Paris outpost this fall.

Marking the centenary of the first group show of the quartet now known as the Scottish Colourists, this ambitious and provocative exhibition is the initiative of the Fleming Collection and has been organised by its curator emeritus, James Knox.

“Politécnico Nacional” (on view through August 3, 2025), Gabriel Orozco’s first museum show in Mexico since 2006 and his most expansive survey to date, presents the work of a global artist who nevertheless remains emblematic of Mexico City’s contemporary art scene.

The Musée National Picasso-Paris welcomes Brazilian artist Anna Maria Maiolino in her first solo exhibition in France "Anna Maria Maiolino.

The Ministry of Culture presents "Pinacoteca Migrante," an adaptation of Sandra Gamarra's project, curated by Agustín Pérez Rubio.

In an era shaped by digital media and conceptual installations, a new wave of emerging artists is reimagining figuration through unconventional techniques.

Highlights From the 19th Venice Architecture Biennale.

The judicial system is both intimidating and beguiling—a complex web of ritualized procedures enacted in hallowed, semi-public chambers, administered by (mostly) men dressed in long black or red robes.