Global art fair to collaborate with Seoul museums for Frieze Live, Frieze Film

The Metropolitan Museum of Art in New York on July 21 announced that it had welcomed a total of more than 5.7 million visitors to its two locations in the 2025 fiscal year, which ended June 30.

Karla Black’s exhibition at Kunstraum Dornbirn transforms the former assembly hall into an immersive, pastel-colored sculptural landscape titled “Safety As A Stance.”

In “Our Family Portrait”(on view through July 26, 2025), Chinese-Canadian artist Sami Tsang has crafted her first U.S. exhibition into a near-perfect story arc using ceramics, mixed media, and ink. 

For someone who proudly called himself the “painter of Maine,” Marsden Hartley certainly strayed far from the part of the world where he was born and raised and where he died.

In Jan van Kessel’s Noah’s Family Assembling Animals before the Ark, the antediluvian world is presented as Earth in need of a hyper-taxonomy, rather than the biblical drama of destruction.

Posters calling for federal farm benefits. A warning that “Inflation means Depression.” Paintings of bombed villages and starving children.

If Mitt Romney had beaten Barack Obama in 2012, he would have the distinction of being the only American president with an important Old Master painter in his ancestry.

“Wonder doesn’t reside in an object or natural phenomena, it happens within us, at the moment of interaction with these things, if we remain open, stop and notice.”

Fifteen summers after Nan Goldin first brought David Armstrong’s world to the Parc des Ateliers, his photographs return to Arles – not as relics, but as living proof that specific ways of seeing never fade.

What fashion trends are captured in Getty’s collections? Five curators choose favorites from antiquity through the 18th century.

Jordan Wolfson was first struck by the work of Matthew Barney in high school during a visit to New York’s Whitney Museum of American Art.

Working with mirror-polished stainless steel, artist Michael Benisty creates striking sculptures that speak to human connection.

It comes on slowly. A stain, a haze, the barest swell of color breathing through creamy cotton’s taut weft.

Mar García Albert at CACN Centre Art Contemporain Nîmes.