It is a perfect summer’s day, and I am sitting in a dark room watching a succession of animated fruit rapping in Uyghur.

Summertime. Home of watermelon, blueberries, pool days and backyard barbecues.

From a chic Charleston hotel that captures the city’s distinct historical flavor to an exhilarating exhibition in Paris honoring legendary designer Paul Poiret.

I draw inspiration from the natural world around me, especially from desert landscapes, where I explore and gather ideas—often focusing on the intricate details of native plant life.

I am influenced by my background in classics and philosophy, marrying traditional ecclesiastical ideas of homecoming and communion with a contemporary interest in materiality and abstraction.

I would say that my work is classical realism, and I work primarily from life not photography.

A mystery artist whose identity has remained unknown for a number of years is back with a new special exhibition.

“At this particular point in my career, a show at Canal Projects makes a lot of sense. It's a great opener.”

This year-long exhibition deconstructs celebrity from every angle, spotlighting the ways photography helped invent and continues to shape star culture.

On the Mediterranean island of Menorca, Cindy Sherman’s figures appear once again to perform: posing, collapsing, confronting and transforming.

The flattening of high and lowbrow imagery is certainly not new, indeed the painter Jason Fox has been mining this territory since the early 1990s.

Impressionism, with its kitsch trinkets and gift shop ephemera, lives in a realm of surfaces. I’m not alone in thinking this—most of us know Monet through wall calendars, not the Musée.

Natalie Dunham doesn’t just build art—she builds systems. Patterns. Repetitions. Forms that feel both obsessive and meditative.

Alphonse Mucha is perhaps the artist most publicly associated with Art Nouveau. Today we explore the life and work of the Czech master.

Have you ever looked upon Gustav Klimt’s portrait of The Lady in Gold.