Mario von Bucovich (1884–1947) was an internationally acclaimed photographer in the 1920s and 1930s.

His largest survey to date in the U.S. traces his evolution from artist provocateur to one of the most globally visible critics of authoritarianism.

In conversation with Observer, Vincenzo de Bellis explains how the awards reframe art world excellence in terms of collective infrastructure.

An exhibition of Korean art this summer at Manarat Al Saadiyat will be followed by a show of Emirati art in Seoul this winter.

Nearby, the White Cube gallery is also displaying homage works by the German artist, more than 60 years after he hitchhiked in Vincent’s footsteps.

The much-loved painter, designer of stamps and creator of anti-war posters shares tips from a 90-year career.

As a season of events celebrates the life of the city’s most famous son, Dale Berning Sawa revisits the region central to his art, where she, too, grew up.

Lubaina Himid reincarnates a pioneering show, the South African artist re-energises sculpture and Vincent goes head to head with Anselm Kiefer – all in your weekly dispatch.

With more than 100 works by the likes of Yayoi Kusama and Patricia Piccinini, this free Qagoma show is a bold visual feast of crowd-pleasers.

‘For Indigenous people it can be a little scary to think about erasure and removal when talking about monuments’, says collective New Red Order.

This is Robert Janitz third one-person show at Canada in the last 10 years. His previous exhibitions with this gallery took place in 2022, and in 2018 as a double show in collaboration with Anton Kern.

Paula D. Lucas is a figurative artist whose work invites stillness. Her paintings do not shout. They rest. They wait. And then they open something deeper.

“The Kiss,” painted by Gustav Klimt between 1907 and 1908, is one of the most celebrated works of art from the Viennese Secession movement.

Leonardo da Vinci’s ‘Salvator Mundi,’ a masterpiece that has captivated the art world for centuries, took a remarkable journey from obscurity to the limelight in the mid-2000s.

“A painting should be more than just decoration—it should inspire, comfort, and reflect the unique personality of its owner.”