William Blake and the Sea Monsters of Love (2025, Pegasus Books) by award-winning author Philip Hoare takes the life and career of William Blake (1757–1827).

Presented in collaboration with the Robert Rauschenberg Foundation on the occasion of the artist’s Centennial, Gladstone presents the first survey of Rauschenberg’s sculptural practice in thirty years, spanning his production from the 1950s through the late 1990s.

Opening this Saturday, the V&A will stage the UK’s first major exhibition in nearly 30 years dedicated to Cartier jewels and watches, exploring how the Maison became an unparalleled force in the jewellery and watch world.

I’ve encountered Jyll Bradley’s work several times, though often as large outdoor sculptures – whether at the Folkestone Triennial, outside Hayward Gallery, or part of Sculpture in the City.

In paintings and sculptures portraying laboring bodies, the artist demonstrates that our collective unconsciousness has always been tied to natural cycles.

By embracing horror through the larger-than-life persona he constructed, the photographer occupies an odd middle ground between the news media and its parody.

Matias Faldbakken has won the commission to create the 22 July memorial in Oslo’s government quarter.

When I first saw Matthew Cronin’s series Dwelling, I felt a kinship. During my childhood, I lived on a property with an old hog barn that, rather than holding pigs was a collection of items from the previous owners.

“One can gather materials by looking for that which has lost its original value, hoping to obtain a second hand value, even when a monetary exchange is replaced by a labour exchange (removal).

The Museum of Contemporary Art (MOCA) presents Diary of Flowers: Artists and Their Worlds, a new collection exhibition bringing together more than eighty artworks from MOCA’s renowned collection.

“Dancing in the Streets (On Power)” focuses on temporary art forms—performances, happenings, situations, and manifestations.

Louise Bourgeois, Sheida Soleimani and Gillian Wearing are among the 30 female artists contributing to a show that is challenging, unsettling and sometimes downright uncomfortable.

Artists have often struggled to go beyond the available permissions of their time and place to transcend the familiar and to free up the imagination.

Timothy Martin, a member of the environmental activist coalition Declare Emergency, was on April 8 found guilty by a federal jury of conspiracy to commit an offense against the United States and of injury to a National Gallery of Art exhibit, the Department of Justice reports.

Neil Elliott is a multi award winning Perth Hills based painter and sculptor.