“My stilllifes with Delft blue vases and flowers are more than decorative images; they are a tribute to timeless beauty and emotional stories.”

There is a place and a time where things are not entirely straightforward. Where they do not come together to form a coherent whole.

Growing up in Switzerland, Constance Jaeggi’s journey from a suburban area of central Europe to the rural grasslands of Texas was guided by what she describes as an “unexplainable fascination” with horses.

Twenty. This is the number of editions of the Reggio Emilia European Photography Festival which, promoted and organized as always by the Magnani Foundation.

With a selection of photographs, collages, drawings, sculptures and paintings, the exhibition highlights the artist’s longstanding interest in depicting the body, quotidian life.

The word “economy” is etymologically derived from the Greek word for home (oikos), a concept that in ancient Greece had little to do with domesticity, family, or comfort, and everything to do with economic management (nomos), more precisely one carried out by women.

Daniel Giordano: Yura, I want to play a game of me spitting out a question and you rattling off an answer.

Swedish artist, musician, and writer Maj-Britt Niklasson will soon bring her deeply introspective work to an international audience in Japan.

Art Basel will stage a new art fair in Qatar, opening February 2026.

Northern Irish choreographer Oona Doherty’s latest work, Specky Clark – which premiered at Pavillon Noir in Aix-en-Provence last November and is currently on an extensive UK and EU tour – has been described as her most personal piece to date.

The artist meditates on basketry as an ur-technology, and how it might still speak to contemporary life.

The Chinese-born, UK-based art collector and philanthropist Yan Du is to open YDP (Yan Du Projects) a new non-profit space in London’s Bloomsbury.

Ma Yansong: Architecture and Emotion opened last Friday at the Nieuwe Instituut, the Netherlands’ national museum for architecture, design and digital culture in Rotterdam.

Since its inception, our Festival La Gacilly-Baden Photo has been committed to placing nature, which gives us life, at the centre of the exhibitions. Photographic narratives describe the beauty of our planet Earth as well as its environmental problems.

Wenxin Wang is a distinguished Chinese-born artist who earned his Master of Arts from the Luxun Academy of Fine Arts.