Seoul-based artist Choe U-Ram’s sculptural performance piece titled Round Table is a head-turner…and a head roller.

Artruss slabs just before a grimy bridge underpass. It’s a quotidian atmosphere—industrial and quick-service (like the McDonald’s down the street).

The New Mexico Museum of Art highlights the peripatetic 20th-century painter in a show that features both his powerful abstractions and his distinctive figurative canvases, including landscapes and religious art.

With battle relics, love letters and one very famous bicorne hat, Pierre-Jean Chalençon's one-of-a-kind trove of Napoleonic artifacts hits the block on June 25.

In a recent interview with The Times, the mischievous artist also revealed that he “sort of” said no to a knighthood.

The Swiss art fair giant's French expo continues to grow, with more than 200 exhibitors signed on for October.

The site's archaeological museum is showing the work of the artist Vuslat among its artefacts to build a bridge between contemporary art and the past.

In a double bill that challenges white-centric beauty standards, Perrier uses a pop-up studio to make portraits of diverse communities, while Minnicucci confronts her fears by venturing in front of the camera.

Photoworks is pleased to launch news of plans for 2025 - the 30th year of Photoworks.

Shadows are more than just the absence of light — they are a powerful visual language.

The acclaimed photographer founded New York Life Gallery in 2022 during a creative lull. Drawing upon Green’s circle of downtown artists and his own personal tastes, it’s quickly become one of the city’s most interesting creative spaces.

We speak of lakes and streams as ‘waterbodies’, but of course humans are waterbodies too. Water flows in and through us. Running, we are rivers.

“My textile sculptures and immersive installations invite reflection on identity, diversity, and the way materiality shapes human expression.”

Union Pacific is delighted to present ‘Ooh!’, an exhibition of paintings by Oliver Osborne (b. 1985, Edinburgh), which forms the artist’s second solo show with the gallery.

In what some have termed “too late capitalism”, we are constantly promised seamless experiences—effortless flows of information, frictionless consumption and an ever-expanding horizon of progress.