The artist said the National Portrait Gallery was considering removing the painting after Trump issued anti-trans mandates for federally funded museums.

The cover of a new book draws you in for Kahlo, but you will stay for Mary Reynolds, the innovative bookbinder and partner of Marcel Duchamp.

The weekly feature rounds up the latest updates in museum appointments, openings, funding and new exhibitions from across the UK.

One of the foremost contemporary artists emerging from the Amazonian basin, Flores belongs to the Shipibo, an Indigenous people part of the Shipibo-Konibo (also known as Shipibo-Conibo) nation, who live along the Ucayali River in Peru.

Spike Island presents the first major survey exhibition of Guyanese British artist Donald Locke (1930–2010).

In a single decade known as the Golden Twenties artist Marta Astfalck-Vietz (1901–1994) authored an iridescent opus of self-enactments, nude and dance photography and experimental images.

Gestural Poethics presents recent works by the London-born artist, poet, and writer Rhea Dillon (b. 1996).

Since the 70s Senga Nengudi (Chicago, 1943) and Maren Hassinger (Los Angeles, 1947) have collaborated creating a rich corpus of work, spanning from installations, performances, video, texts, and sculptures.

The Museum of Modern Art is pleased to announce “Projects: Ufuoma Essi”, which will highlight the artist’s distinctive approach to film as a medium for historical exploration and cultural memory.

My text is a tentative attempt to trace the possibility of an encounter with Andria Dolidze’s work—to create a conversation between his images and my words.

“Calling”’s iron heartbeat is the digestive tract of “Ech Ech Ech,” Chris Bradley’s solo exhibition at Ackerman Clarke.

Enigma of the image and citational vertigo: Zhang Zhaoying at Palazzo Grimani.

In an exclusive interview with artdaily.com, Jill Newhouse, owner of Jill Newhouse Gallery, reflects on her passion for 19th and 20th-century works on paper.

Five Contemporary Online sales—Pressing Forward: Contemporary Editions from a Private Detroit Collection, Contemporary Edition: New York, First Open | Post-War & Contemporary Art, M.C. Escher:

In the winter of 1869, Paris was a city on the edge. It was elegant and bustling, but also full of quiet tension.