Martin Kačmarek's "If We Got In" with Super Dakota in Basel, Switzerland.

The Summer issue of ArtReview considers absences, erasures and the limits of visual representation.

The Nikon Comedy Wildlife Awards has teased a preview selection of the funny animal photos entered so far in its 2025 photography competition, “to brighten anyone’s day with a chuckle and something positive for this week.”

The Kunstsammlung Nordrhein-Westfalen, in cooperation with the Friends of the Kunstsammlung and with generous financial support from the Reydan + Roger Weiss Foundation, is presenting the K21 Global Art Award for the third time.

London has long been an inspiration for both superstar artists and newer talent. Saatchi Yates gathers some of the best.

Miyoko Ito survived an earthquake, incarceration and illness. Her transporting paintings defied ideas about abstract art.

French architect and artist Emmanuelle Moureaux has long captivated audiences with her vivid explorations of colour and space.

In his preface to One Hundred Views of Fuji, published posthumously in 1859, Utagawa Hiroshige wrote that he wanted to make ‘true-to-life landscapes’ that would ‘give others a few moments of pleasure without the inconvenience of a long journey’.

IMMA, the Irish Museum of Modern Art, launches Summer at IMMA 2025.

Ink artist Cui Zhenkuan is holding his fifth solo exhibition at the National Art Museum of China in Beijing until June 17.

A 'stunning' collection of rarely seen paintings by one of Scotland's most respected contemporary artists has gone on show in Glasgow.

Rotterdam’s Fenix Museum addresses historical and modern movements via plural narratives and artistic approaches.

The artist's intricate, wall-based tapestries transform Western post-consumer waste into powerful, layered works that interrogate global cycles of production and disposal.

A fearless avant-gardist, he reminds us more than two centuries later that creativity thrives on disruption, placing him vividly in the present.

Amid a drop in global sales and looming US tariffs, when Art Basel opens next week it will appeal to emerging collectors with a brand-new Premiere section for ultra-contemporary work, says the fair's director.