At ninety-three, Gourevitch is among the last of the so-called New York School painters, the extraordinary group of artists who flourished from the forties through the early sixties.
Moss Galleries is presenting Beate Wheeler’s Abstract Rhythms: 1960s on 10th Street, a vibrant retrospective of the expressionistic color painter Beate Wheeler (1932–2017), on view from June 13 to August 9 at the Falmouth gallery.
Why does technology evoke so much fear – and so much hope? A new international group exhibition at Copenhagen Contemporary explores the soul of technology.
Adams and Ollman presents Marina Grize: In-Between Touch, a solo exhibition featuring photographs from the artist's ongoing series of women in and around water.
The Royal Air Force Museum has appointed artist David Tovey for an art commission which will examine the experiences of veterans affected by the ‘gay ban’ (1967-2000) .
Art Advisor Dr. Jacqueline Nowikovsky shares her Art Basel Week diary—from gallery dinners to the main fair, and from drinks at Trois Rois to stunning exhibitions.
Few artist duos have reshaped contemporary art’s spatial lexicon as thoroughly as Michael Elmgreen (b. 1961, Copenhagen) and Ingar Dragset (b. 1969, Trondheim).
Ben Enwonwu, widely regarded as the most influential African artist of the 20th century, takes center stage at Ewbank’s Auctioneers in Surrey this summer.
Abstract painter Thornton Willis, a third-wave member of the New York School acclaimed for canvases in which geometric shapes evinced a warmth atypical of such forms, died in New York on June 15.
Cara Cobb is an Alaskan- raised autistic artist and military veteran who paints wildlife, domestic animals, and birds in styles ranging from realism to impressionism and abstract.
Diego Velázquez’s 1656 portrayal of a Spanish princess and her entourage is one of the most important paintings in Western art history, if not the most conceptually complex by an old master.