“A garment, a pin, a seam, a shield” at Phillida Reid is a thoughtfully composed exhibition that attends to the afterlives — or the Warburgian Nachleben — of things: imprints, surfaces, stains, residues.

John Armleder‘s Quicksand IV (2025) at Country SALTS in Bennwil (Switzerland) is a newly commissioned, site-specific large-scale work.

Digital manipulation is a place to begin Transforming the manipulated images into a painting is always about the process and can never be exactly like the reference.

The British artist has built a career bringing a new perspective to figures and flesh.

Most artist’s have enhanced senses that permit them to focus via a heightened sensitivity; in short, channeling their creativity in service to their work.

I arrive at the Fondation Le Corbusier, housed in Maison La Roche on the west side of central Paris, ten minutes before Nicole Wittenberg.

After 30 years in the art world, renowned dealer Tim Blum is ‘stepping off’ the gallery circuit, citing exhaustion with the contemporary art system.

‘Never There’ invites viewers to face what’s missing – lost stories, buried identities – and through striking sculptures and installations, Ahmet Güneştekin turns absence into a powerful presence.

I recently had the pleasure to meet with Dustin Randall Keirns at the Month of Photography Denver Portfolio Reviews.

Sussex Modernism at Towner Eastbourne is a complex show that breaks out of its historical box to include contemporary artists and work, which displays the context out of which the artists emerge, but the main focus is on the interwar art.

Landscape indeed is present in most of my artworks.This landscape view is the first thing I observe each day, monitoring it continuously through different times of the day and seasons. It serves as my source of inspiration.

Three artists, three completely different approaches, but the same observation: on the international art.

The inaugural edition, ‘The Exchange’, asks us to meet art where we are: together, outside, in public.

FUTURA is back with Anthony Gallery in Chicago for a solo exhibition called Family Affair.

Nora Naranjo Morse’s colorful sculptures watch over the events and characters in her daughter Eliza’s paintings from their own unique perspectives.