In Olivia Erlanger’s recent exhibition, “Spinoff,” a disruptive volley of arrows piercing the upper wall of Luhring Augustine Tribeca’s entry hall and main space lent a mythic spin to intriguing simulacra of a not-quite-natural world.
Bienvenu Steinberg & C invites visitors to join them for a viewing room presentation of work by four artists reflecting colorful summer palettes—the gold of the sun, the blues of the sea and sky, the greens and browns of the earth.
Tufts/SMFA alumna Beverly Semmes (BA/BFA ’82) has built an extensive practice in sculpture, painting, film, performance, and fashion that probes the paradoxes and complexities of the body and its representation.
The Eyes, a cultural producer and independent publisher, is launching from 20th September to 30th October 2025, the first edition of FLOW, an artistic journey dedicated to photography and visual arts, presented in iconic heritage sites in the Occitanie region of France.
The Mrac Occitanie's Graphic Arts Cabinet has opened "Cyclogenesis," a compelling monographic exhibition by artist Toma Dutter, running from January 25 to May 25, 2025.
MAXXI L'Aquila has unveiled "True Colors: Textiles, Movement, Colors, and Identity," a captivating exhibition that has transformed the historic Palazzo Ardinghelli into a vibrant exploration of fabric and its profound connection to human experience.
The Memorial Art Gallery (MAG) of the University of Rochester (UR) announces the acquisition of a the painting Snowed In, 1980, by Andrew Newell Wyeth (1917–2009), further strengthening its esteemed American Art collection.
Dominic Harris doesn’t just illustrate the natural world, he reimagines it through technology, light, and motion. In his digital artworks, nature takes on new life.
The National Asian Culture Center (ACC) is pleased to announce 2025 ACC Focus: Ryoji Ikeda, an exhibition celebrating the 10th anniversary of the institution and its long-standing partnership with world-renowned audiovisual artist Ryoji Ikeda.
In curating the Confluences exhibition, Rebecca Scott has deliberately sidestepped the standard artworld trope of the artist as exceptional, but inevitably isolated, individual.