Emily Sundblad’s pipe dreams throw us onto the coastline of the adolescent sublime – heeding the siren call of seashells, butterflies, and courtesans.

William Turner Gallery opened two simultaneous solo shows by Greg Miller: True Romance, and Jennifer Wolf: Utopalypse. Both exhibitions debut new work by these artists.

The Stedelijk Museum Amsterdam announced the donation of Untitled (Flower Work) (1974) by artist Bas Jan Ader.

Mennour presents its first exhibition devoted to the last period of the work of Gaston Chaissac (1910-1964), an “outsider” artist positioned between modern and contemporary art, who claimed to be an “artist, poet and farmer”.

The Hessel Museum of Art, Center for Curatorial Studies, Bard College presents two new exhibitions opening on Saturday, June 21.

Metroland Cultures launches the third edition of the Brent Biennial and announce the artists participating in this year’s edition, from June 22–October 24, 2025.

The Birmingham Museum of Art announced the opening of Silver & Ceremony from Southern Asia, 1830–1930, an exhibition featuring the collection of Harish K. Patel.

Pace is presenting Pace: 65 Years at its Geneva gallery. This group exhibition delves into the past 65 years of Pace through a changing display of works that situates the gallery's contemporary program in the context of its 20th century history.

Celebrated New York-based artist Pat Steir unveils a suite of new paintings for her exhibition at Hauser & Wirth in Zurich, her first solo show with the gallery in Europe.

Sohn Fine Art is presenting Heredity, a solo exhibition of multi-dimensional work by acclaimed artist, Joseph La Piana. The exhibition is on view May 10 – July 28 (69 Church Street, Lenox, MA).

Almine Rech Brussels is presenting 'In my cloud (NO birds)', Jenny Brosinski's third solo exhibition with the gallery, on view from June 12 to July 26, 2025.

Although Donald Judd was active in ecological preservation and the mission of The Chinati Foundation is multilayered and contains political elements, most people experience the artworks there primarily through an aesthetic lens.

The Architect’s Dream was a favorite of mine when I taught my design students the concepts of rhythm and harmony.

He seems to speak to us directly and clearly, given his love of striking light and shadow. We experience him personally.

A new retrospective of Hamid Zénati is also an important record of an interconnected North African modernism.