In "SUTTON 78," staged in a luxury Manhattan penthouse, the Zurich-based firm blends curatorial vision with market strategy to redefine what art advising can be.

With lead limbs, melded techno-human forms and flickering light, three exhibitions across London ask: what comes after the flesh fails.

A group of employees, representing a range of stances on the ongoing war, has protested outside the museum every workday for nearly two months.

Current and former employees have expressed shock that the museum hosted the event—which marks a day associated with the mass displacement of Palestinians—during one of the most violent weeks of the Israel-Hamas conflict.

This year's city-wide event is emphasising London as a location in which to experience non-traditional image-making.

Plus, an early Western view of India and an “illuminating” Giacometti lightpost.

Spike Island, Bristol The shadow of the plantation looms over the charged paintings and sculptures in the first major UK retrospective of the Guyanese-British artist.

He was a wild, glamorous, promiscuous painter, the toast of the early 20th century, whose life and career eclipsed his sister’s. But, after dying almost unknown, Gwen is now having the last laugh.

Discover the groundbreaking work of Tony Oursler, a pioneer of video art, in his exhibition Hoisted from the Pit at Kunst Museum Winterthur.

The famed photographer and Essex-born visual artist Nadia Lee Cohen follow the life of babysitter Julie in a new photo book.

Whitewall interviews Knop on their latest exhibition, exploring material experimentation, emotional depth, and the evolving language of contemporary landscape art.

During the second half of the 20th century the favoured metaphor for the effortless and detached exercise of power was ‘the push of a button’.

The Cape Town High Court has ordered South African photographer Trevor Stuurman and THK Gallery to close the artist’s latest exhibition Your Beauty Is Our Concern following Intellectual Property (IP) infringement.

The group exhibition Con lo zucchero in bocca (With Sugar in One’s Mouth) explores the relationship between resource extraction and sweetness.

I could just as well have made a time capsule, but 80 percent of those are lost to the ground, never to see the light of day and sometimes there are leaks.