The Photography Show returned to Park Avenue Armory with robust sales, historic gems, but also a lingering question about the medium’s next evolution.

The latest development in the ongoing dispute over a 1916 portrait believed to have been stolen from Fritz Grünbaum by the Nazis.

The unusual move follows years of negotiations between the museum, the collector and the Kingdom of Benin.

Backed by MPs and artists including Tracey Emin and Larry Achiampong, the report calls for a £5m grassroots visual arts fund and a reversal of funding cuts.

The fair's 12th edition opened with high spirits and swift business in the five-figure price range.

The small but mighty museum for outsider art is reopening after a two-year overhaul.

The Barcelona museum's latest revamp has added 2,000 sq. m for immersive exhibitions.

Van Gogh’s favourite Japanese artist is at the British Museum, Lisa Milroy’s memories of Canada are on show in London, and new thresholds are crossed by Do Ho Suh – all in your weekly dispatch.

Multitudes festival, London The artist’s potent animated film played against a superb live account of the 10th Symphony from Marin Alsop and the Philharmonia Orchestra.

The UK supreme court’s recent gender ruling made me think of the sublime sculptures – created from trash – by this artist who escaped persecution in Uganda. They stand for unity over division.

Read our pick of the best Los Angeles art exhibitions to see this month, from Marisa J. Futernick’s inherited and imagined memories at the Skirball Cultural Center to Demetri Martin's comedic acrylic paintings at Laconic Gallery.

Judith Tatar of Tatar Art Projects (TAP) shares a look into her practice of curating art for luxury hotels, including the Conrad, Four Seasons, and more.

“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.”

As I made my way through the throng of visitors to the King’s Gallery for its opulent new exhibition, I overheard a woman observe: ‘Well, one thing you can say about the Royals is they never do anything by halves.’

‘Slagduif’ is a group exhibition featuring all of Billytown’s artists, treating the gallery as a playing field. By chance, Billytown discovered that the dimensions of its gallery exactly match those of a badminton court.