The Washington, D.C., street where 20th century painter Alma Thomas lived and created her renown abstractions was renamed “Alma Thomas Way” on Monday.

James Rondeau will return as director of the Art Institute of Chicago following reports that he had undressed on a plane to Germany.

Dallas figurative painter Amy Werntz has been awarded the 2025 Bennett Prize, a biennial $50,000 prize offered solely to women figurative realist painters.

While its Paris home base closes for five years to undergo a renovation, the Centre Pompidou will expand its international reach, opening its first South American space in 2027.

Nine months after his zoo-themed graffiti spree in London, Banksy is back.

Given their public and often monumental presence, murals can easily be considered participatory, but JR likes making that connection a little more concrete.

Geordie Wood delved into the world of professional diving in Fort Lauderdale for his first film

Save the date as the UK’s largest annual festival of visual art returns to Edinburgh this August (7th—24th) with a packed programme of exhibitions, events, and collaborations taking place across the city for the three week festival — the biggest of its kind in the UK.

Digital art is no longer a niche, it’s a movement. From glitchy GIFs to immersive virtual worlds, today’s artists are using pixels, code, AI, and cutting-edge technology to create work that challenges conventions, sparks emotion, and redefines what art can be.

Glasstire counts down the top five art events in Texas.

The Louvre Museum in Paris will surrender 258 works from the bequest of collector Adèle de Rothschild to the Fondation des Artistes that were improperly inventoried in its collection, Le Monde reported Wednesday.

Taken in 1994, the year before Kids changed their lives forever, Kevin Hatt’s portraits capture the innocent young couple on the cusp of fame.

The Van Gogh Museum has acquired its first work by Henri Matisse (1869–1954), achieving a long-standing ambition to expand its collection of artists directly inspired by Van Gogh with a Matisse.

At the Ethelbert Cooper Gallery, the exhibition presents memory as both a method and mandate for liberation, tracing the afterlives of history through photography, film, and archival intervention.

While Vincent van Gogh is widely known for his artistic talents, much of his personal life remains a mystery.