Jurek Jakowicz, originally from Poland, grew up in the historic city of Łódź. His artistic journey began with a formal education at the Government College of Art and the University of Łódź, where he studied traditional European sculpting, drawing.

Bruno Verdet’s path to painting was anything but conventional. After dedicating a decade to drama, Verdet immersed himself in the Grotowski method, a rigorous approach to acting that seeks to strip away the inessential.

Leonardo da Vinci’s ‘Salvator Mundi,’ a masterpiece that has captivated the art world for centuries, took a remarkable journey from obscurity to the limelight in the mid-2000s.

A group of artists are visiting a heathland rewilding site to capture its changing flora, fauna and landscape.

A new audio tour narrated by Lady Danbury actress has been made available at the historic museum.

The exhibit at the Museum of Immigration in Paris cleverly focuses on a few moments and places to address the many social, political and economic issues associated with these neglected areas.

Much like a puzzle, an illusion demands patience. But it also rewards that endurance, offering, in return, a complete story from its singular and sometimes baffling parts.

This comprehensive show charts the groundbreaking rise of the illustrated poster in 19th-century France, drawing on its rich heritage and highlighting its wide impact on society.

Helen Ye Plehn’s artistic journey is anything but conventional—it is deeply intertwined with her personal path of healing and spiritual awakening.

In paintings, ceramics, and installations, Rachel Hakimian Emenaker depicts scenes of gentrification, religion, and homeland.

After the Darkness by Stefano Battistelli.

Conceived as a space for transmission and confrontation of experiences, this exhibition brings together a dozen international artists who question prevailing narratives in our contemporary societies and our connection to reality.

Does any image say primal love more than this powerful painting by Paula Modersohn-Becker.

Artist borrows from past masters to create centrepiece of latest show, his first major mural in England.

Yes, I’d be mortified if it was my son who’d scratched the £42m work.