A Dutch family archive dating to the 17th century and the last remaining Giambologna marble in private hands are among the most significant works to enter public collections in the past month.

“This sense—that something small can contain something vast—deeply influences my creations, both in the present and in the way I imagine the future.”

“Food, in my hands, becomes a metaphor to raise awareness about the most pressing issues of our century, like hate and the climate crisis.”

The British Museum has secured the long-anticipated loan of the Bayeux Tapestry, marking its first return to British soil in nearly a millennium.

Moira Cameron has been awarded first prize in the 2025 Herbert Smith Freehills Kramer Portrait Award for her contemplative and boldly executed self-portrait, A Life Lived.

A previously unknown painting by Diana de Rosa, a rare female voice in 17th-century Neapolitan art, has stunned the Old Masters market, achieving a record-breaking sale at Sotheby’s London on July 2.

In 1999, Raqib Shaw began pulling at the threads of what would become an autobiographical painting of loss and beauty.

Fashion is an industry based upon newness. The past is “last season”, derogatory. I suppose this is what separates ‘art’ from ‘commerce’.

Catherine Hawthorn’s work centers on socially engaged photography, with a current focus on collaborating with women experiencing homelessness.

At DoBeDo’s new gallery in south London, an exhibition dedicated to British artist Dick Jewell explores the evolving impact of the image.

From October 17, 2025 to March 2, 2026, the Fondation Louis Vuitton will present a major retrospective of works by Gerhard Richter — one of the most influential contemporary artists — born in Dresden in 1932.

Shopping for a drawing tablet shouldn’t require a PhD in tech specs.

A new show at Amant, New York explores what its curators call ‘the traumas and forms of violence that are intrinsic to the process of being educated’.

The artworks in Spora, unfolding over three years at the Swiss Institute, linger in the mind, its interconnections multiplying like spores.

Le Corbusier’s La Cité Radieuse (Radiant City) isn’t easy to miss in Marseille, France with the towering housing complex featuring a constellation of primary colors painted on the facade of 337 residential units.