“Letting go of something so significant created space in my life — and that space was filled by something equally meaningful.”

Yinka Shonibare has been announced as one of the key contributors to the Queen Elizabeth II National Memorial in central London. His involvement marks a bold and also thoughtful addition to a landmark that aims to honour the late monarch’s legacy with depth and nuance.

Acollection of recent works by artist Serolod. Born in Greece, and currently based in London, Serolod explores the fluidity of perception, the interplay of colour and form, and the juxtaposition between contemporary and traditional mediums.

Natalie Dunham doesn’t just build art—she builds systems. Patterns. Repetitions. Forms that feel both obsessive and meditative.

Christine Sun Kim’s work leaves little room for misinterpretation. Clarity, for Kim, is a reality of survival. “American Sigh Language,” the artist’s recent solo exhibition at François Ghebaly, makes it clear:

Impressionism, with its kitsch trinkets and gift shop ephemera, lives in a realm of surfaces. I’m not alone in thinking this—most of us know Monet through wall calendars, not the Musée.

Alphonse Mucha is perhaps the artist most publicly associated with Art Nouveau. Today we explore the life and work of the Czech master.

Have you ever looked upon Gustav Klimt’s portrait of The Lady in Gold.

Some of Klimt’s portraits have already gained “iconic” status, one of them being his soaked in the gold portrait of Adele Bloch-Bauer.

As an HIV-positive trans woman and advocate, Dzubilo faced challenges that should have been history by the early 2000s, yet persist today.

It is crucial to grapple with the colonial structures that helped sustain the lives and work of the two 19th-century contemporaries, both celebrated as feminist heroines.

Turning up the dial on excess and intensity.

At Tramway, Glasgow, the artist asks what bats and moths can teach us about sustainable living.

Henry Moore Institute in Leeds, hosting Beyond the Visual, hopes to challenge ‘ocularcentric bias’ in galleries.

Kunsthalle Zürich presents the first institutional solo exhibition in Switzerland by Berlin-based artist Klara Lidén (b. 1979, Stockholm).