Bacon’s latest solo exhibition, Into Being, just opened at Yorkshire Sculpture Park. The Derbyshire-based artist created pieces for the park’s 18th-century chapel, centering around an eponymous piece that extends six meters into the nave and reaches three meters high.

Coined by cultural theorist Grafton Tanner to describe the late-capitalist compulsion to continuously refresh and extend the past, “foreverism” is a term that lies at the heart of The Spin Off.

Rapture ignites a new chapter where artists fully embrace their power, their joy, and their limitless creative expression.

The Institute of Contemporary Arts (ICA), London to present the first solo exhibition in the UK by Amsterdam-based artist Nora Turato (b. 1991, Zagreb).

Paul McCarthy to open Summer exhibition in London at Hauser & Wirth Saville Row.

Milan’s leading modern and contemporary art fair, miart*, takes place from 3th–6th April. The venue – a hall in the city’s huge conference centre – is modern and spacious, and the 179 galleries from 30-odd nations are of good overall quality.

Political violence lurks in the background of several other paintings on display in ‘Remembering’, a survey of Singh’s six-decade career at Serpentine North Gallery in London.

Over the last several years, contemporary art widened a curious eye toward video games. More than a pastime, these games have helped shape how we feel, understand and interact with the world around us – both online and off.

Kenny Schachter’s latest show at Jupiter on NYC’s Lower East Side is a nod to Walter Benjamin’s 1935 essay, The Work of Art in the Age of Mechanical Reproduction.

For Qualeasha Wood, a glitch can be good. In her latest solo show at Pippy Houldsworth Gallery, the Philly-based artist delves into the glitch as aesthetic and a language for moving through a world where selfhood is constantly mediated and warped.

The COVID-19 Pandemic irrevocably changed the trajectory of countless lives, culture, and community. For many artists.

The exhibition brings together the practices of artists working in Estonia and other Baltic countries with those from Indigenous communities in the Nordic countries, exploring the possibility of recovering and cultivating a sense of reconnection between body and land.

The exhibition will present works of Koppel’s that were completed over the past half decade. The title of the exhibition takes its name from celebrated Chicago artist H.C. Westermann’s 1969 sculpture of the same name. 

For its premiere at Galerie Molitor, Jarramplas is presented on purpose- built scaffolding and displayed with four related photographs from her series Barrage. 

This is not merely an exhibition, but the result of a bond. A group of friends, as well as artists. And as often happens among friends, things take shape without a declared plan, without too much discussion.