Doyle Hostetler’s fine art career appears to have followed a highly accelerated trajectory—within a year of first teaching himself to paint in 2019, his work had been accepted into major regional shows, where it garnered attention and awards.
For 25 years, Christopher McNulty, director and professor in the School of Art at the University of Tennessee, has examined the fragile equilibrium between humans and their surroundings.
Rebecca Orcutt’s surreal oil paintings at Gallery Poulsen depict anonymous administrators in office mazes, exploring bureaucracy as a haunting metaphor for existential and spiritual stagnation
I ARRIVED IN SÃO PAULO the day before Trump’s tariff “Liberation Day,” which regrettably coincided with the opening of SP-Arte—the largest of Brazil’s art fairs—and the vibe was clearly off.
There have been wild dust storms in West Texas — a howling force that sometimes obscures the view during my commute between Marfa and Alpine, where I teach at the university.
Museums and art spaces in Houston and Galveston have announced summer exhibitions, including immersive installations, a figurative group show, and presentations addressing environmental issues.
The Museum of Contemporary Art in Los Angeles (MOCA) has mounted a momentous exhibition called Ordinary People: Photorealism and the Work of Art since 1968 that dramatically expands the canon of photorealist art.